Plath s Poetry Essay Example For Students

Plath s Poetry Essay I will now analyses Plashs poetry, relating its emotional content and vivid imagery to the turmoil in her life which is evident in her poetry. In The Arrival of the Bee Box Plat explores her inner mind and expresses a desire to be in control. The poem also depicts mental anguish. The box represents the hidden aspects of the mind; the dark and mysterious parts the port must explore. Plat is nervous about exploring her unconscious mind and horrified by the demons that might lurk there. The sight and sound of the locked box fills the speaker with dread. The box is locked and it is dangerous. She seems to associate it with death, referring to it as a coffin. Her dread seems to be exacerbated by the fact that she cant see into it. She is struggling to understand what is going on in her own mind as there is such a din in it. Yet, though the box horrifies the speaker it also fascinates her. She feels compelled to stay near, she cant keep away from it. The speakers reaction to the box is then complex and contradicting. It seems to repulse and attract her at the same time. This poem is deeply personal and depicts mental turmoil but amongst this a note of hope can be seen. The speaker can overcome her fear of the bees by releasing them. She will conquer her fear and empower herself. She will go from being powerless (no Caesar) to being powerful (sweet God). If the poet can overcome this seemingly irrational fear of the bee box, perhaps she can overcome the deeper intense mental turmoil that seems to control her. Plat uses a very unique yet effective technique that she described as psychic landscapes. She uses a scene from nature or an element of the natural world in order to convey an inner state of mind. The box seethes with guiros need black on black angrily clambering over one another in a Hattie fashion. This disturbing imagery similarly represents her mind seething with dark, angry and negative emotions. The repetition of the hard b sounds creates a harsh musical effect appropriate to the unpleasant and unsettling images this line describes. In this poem Plat expresses her anxiety about the darker angry aspects of herself and what could happen if she loses control over them. She expresses these prominent yet personal emotions through her disturbing imagery. In the poem Poppies in July Sylvia Plat is in an extremely agitated state of mind. She uses several violent and disturbing comparisons to describe the poppies. The description of the poppies intense redness as little hell flames remind her of the fires of hell. This image is an unnerving interpretation of the poppies reflecting the poets state of mind. She is gripped by her feelings of numbness and emptiness. She wants to put her hand amongst the flames. Her utter neutrality makes her long for some sort of extreme physical sensation. But she is incapable of feeling them, nothing burns. Plat is unable to suffer such pain or injury, she wishes to lapse into a coma like existence where she will feel and experience nothing at all. She imagines resell to be existing within a glass capsule, into which she longs opiates to seep. These liqueurs will dull and still her until total oblivion is reached and the world fades away. The poems last word colorless could belong to the clear opiate po tion that the speaker wants to drink it, it could refer to the trance like state the speaker wishes to enter. In this state she would no longer be aware of the sights and sounds of the world around. .ud12fe054030e229b9fb42ff7eb15cc12 , .ud12fe054030e229b9fb42ff7eb15cc12 .postImageUrl , .ud12fe054030e229b9fb42ff7eb15cc12 .centered-text-area { min-height: 80px; position: relative; } .ud12fe054030e229b9fb42ff7eb15cc12 , .ud12fe054030e229b9fb42ff7eb15cc12:hover , .ud12fe054030e229b9fb42ff7eb15cc12:visited , .ud12fe054030e229b9fb42ff7eb15cc12:active { border:0!important; } .ud12fe054030e229b9fb42ff7eb15cc12 .clearfix:after { content: ""; display: table; clear: both; } .ud12fe054030e229b9fb42ff7eb15cc12 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud12fe054030e229b9fb42ff7eb15cc12:active , .ud12fe054030e229b9fb42ff7eb15cc12:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud12fe054030e229b9fb42ff7eb15cc12 .centered-text-area { width: 100%; position: relative ; } .ud12fe054030e229b9fb42ff7eb15cc12 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud12fe054030e229b9fb42ff7eb15cc12 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud12fe054030e229b9fb42ff7eb15cc12 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud12fe054030e229b9fb42ff7eb15cc12:hover .ctaButton { background-color: #34495E!important; } .ud12fe054030e229b9fb42ff7eb15cc12 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud12fe054030e229b9fb42ff7eb15cc12 .ud12fe054030e229b9fb42ff7eb15cc12-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud12fe054030e229b9fb42ff7eb15cc12:after { content: ""; display: block; clear: both; } READ: A Pastiche continuing from Part I of Franz Kafka's Metamorphosis EssayTo her, everything would be soundless and colorless. She also uses psychic landscapes in this poem. The description of the field of poppies responds with and illustrates the mental turmoil the poet is experiencing. Her mental state is in a hellish place and she describes the flowers as little hell flames. The speaker uses short choppy lines, skillfully suggesting the agitated mental state of someone in deep depression. The poet uses disturbing language, intensifying the poem and easily conveying the mental turmoil she is feeling. Child opens dramatically with the mother addressing her child in what is the longest line in the poem. She tells the child that their clear eye is the one beautiful thing. I think it is very striking the way Plat is so assertive in this sentence. This is because of the way she uses the word absolutely. There is to be no argument about this point. Her feelings of Joy and admiration are conveyed in this line. She considers her childs eye to be something pure and untainted. The poet wants to present the child with images that are fun and colorful. l want to fill it with color and ducks. She also wishes to offer the child grand and classical images. Such experiences will nourish the childs mind, allowing it to blossom and grow. However, the poet appears o be suffering from depression, it is a stark poem about mental anguish. She feels that she is living in a world without lights beneath a dark ceiling without stars. Perhaps in her despair and her inability to offer the child grand and beautiful images she is sucking the goodness out of life. Her description of the troubles wringing of her hands is a vivid image, illustrating her inner mental turmoil. Her childs innocence and her inability to provide it with bright and happy moments only heightens her sense of suffering and is left feeling inadequate as a mother. The lowers Plat mentions in this poem are interesting. The April snowdrop is a particularly beautiful flower, pure white in color. This flower is a symbol for her child who she considers so delicate and innocent. The Indian pipe on the other hand is a less beautiful flower. It is said to exist in darkened forests and feeds on the decaying matter of other dead flowers. It may therefore represent the mother in the poem. Plat compares her child to a little stall without wrinkles and the childs eye to a pool, naturally reflecting positive, exuberant images of the childs fulfilled life. She captures the way everything fascinates small children by describing until world as the zoo of the new. The musical touch of this line gestures towards a nursery rhyme effect. She wants her child to experience things that will nourish and preserve his beauty and innocence, but she doesnt feel capable to provide that experience. This poem is probably one of Plashs most personal poems as she conveys her truest thoughts and hopes for her child through accurate metaphors and symbols. Like several of Plashs poems, Mirror gives voice to an inanimate object. The mirror tresses how accurately it reflects anything that is put in front of it. It shows each object Just as it is. It claims to swallow all that it sees and compares itself to a lake. These are metaphors for how mirrors create the illusion of depth, that there is more to the mirror that what you see at the surface. The mirror refuses to be blamed for any dismay or disappointment people may feel when they examine themselves in its surface. It is not cruel only truthful. We learn of a relationship between the mirror and the woman who owns it. The woman seems to be mentally anguished. .u166532728f4164e362fd5bc5e82428a5 , .u166532728f4164e362fd5bc5e82428a5 .postImageUrl , .u166532728f4164e362fd5bc5e82428a5 .centered-text-area { min-height: 80px; position: relative; } .u166532728f4164e362fd5bc5e82428a5 , .u166532728f4164e362fd5bc5e82428a5:hover , .u166532728f4164e362fd5bc5e82428a5:visited , .u166532728f4164e362fd5bc5e82428a5:active { border:0!important; } .u166532728f4164e362fd5bc5e82428a5 .clearfix:after { content: ""; display: table; clear: both; } .u166532728f4164e362fd5bc5e82428a5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u166532728f4164e362fd5bc5e82428a5:active , .u166532728f4164e362fd5bc5e82428a5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u166532728f4164e362fd5bc5e82428a5 .centered-text-area { width: 100%; position: relative ; } .u166532728f4164e362fd5bc5e82428a5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u166532728f4164e362fd5bc5e82428a5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u166532728f4164e362fd5bc5e82428a5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u166532728f4164e362fd5bc5e82428a5:hover .ctaButton { background-color: #34495E!important; } .u166532728f4164e362fd5bc5e82428a5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u166532728f4164e362fd5bc5e82428a5 .u166532728f4164e362fd5bc5e82428a5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u166532728f4164e362fd5bc5e82428a5:after { content: ""; display: block; clear: both; } READ: Types of poetry and example Essay ThesisShe is regularly gripped by fits of loneliness and despair that involve tears and an agitation of hands. She spends a great deal of time staring in the mirror, gazing at the reflection in an attempt to understand herself. The mirror is not only important to the woman in a casual everyday sense but also in a psychological sense. She has lost her way in life and her sense of her own identity. She gazes into the mirror in an attempt to locate and reconnect with her true self. Its as if staring at her own reflection allows her to explore the depths of her own psyche and discover what really makes her who she is. The mirror needs the woman too. We get the impression that it looks forward to her daily visits and would be lonely without them. Each morning it is her face that replaces the darkness. The mirror acts almost like the womans faithful servant, loyalty continuing to reflect her back even when she turns away from it. All the mirror gets in return for this loyalty is the opportunity to witness the womans distress. She rewards me with tears. The tone here is one of bitterness and sarcasm, as if the mirror feels the sight of the womans tears isnt much off reward for its faithful service. When the woman is not there the mirror reflects the opposite wall. There is something almost pathetic about the way it seems to have fallen in love with the piece of wall opposite it. The poems last two lines mark another shift of direction introducing the themes of old age and depth. We get a sense that the woman is also troubled by the prospect of impending old age. The mirror uses a striking metaphor to describe the process of getting older saying that the woman has drowned a young girl in its depths. This poem deals with many personal aspects of Plashs personal problems as she reflects wrought the years by gazing at her reflection. For me Plashs poetry stands out because of its sheer emotional power. In poems like those in which I have described above there is an emotional intensity like nothing else I have come across in poetry. Her clever use of language and the disturbing imagery creates her intense poetry and makes it deeply personal. We see her eloquent dismissal and criticism of society, we see her in her role of a mother and we see her drift into hopelessness in the final poems where she rewards a mirror with tears of inner turmoil.

Water Pollution Causes, Effects and Possible Solutions

Introduction Water pollution is any form of activity that may lead to contamination or addition of pollutants into water body. It is an important issue to the world to put into consideration because human beings need clean water. Other living creatures need good water as well.Advertising We will write a custom essay sample on Water Pollution: Causes, Effects and Possible Solutions specifically for you for only $16.05 $11/page Learn More Therefore, water is a very important requirement in the daily activities of people, and it is a very useful resource in industries, hospitals, schools and even in food manufacturing companies. This is why clean water is required in all the places to make sure the people and all the living creatures in the planet live a good and healthy life. Water pollution cases have been increasing in the contemporary world, despite all the efforts to reduce it. Despite all these efforts, the question remains as to what steps the world should take to end this problem of water pollution. Causes and effects of Water Pollution Harmful and toxic pollutants cause most cases of water pollution. The pollutants may cause the water to change both its physical or chemical nature by causing mixed reactions with its contents. One of the major pollutants is waste chemicals from manufacturing industries or factories. Most of these institutions are careless with this matter of water pollution. This is actually a very serious matter because most of the people concerned know the effects of this activity but they end up ignoring it. Moreover, these wastes contain very harmful and toxic chemicals that may cause health problems to human beings and other living creatures in the water body. Another major pollutant is sewage. Sewage dumped to various water bodies such as rivers, lakes or sea is a direct harm to the nearby occupants, given that it is there main source of water. This will mean that these people will lack clean water and w ill have one option of drinking the dirty water. The toxic contents of the sewage may also harm or kill aquatic animals present in that particular water body. Indeed, this is a government concern, though it seems that it is being neglected all the time. Oil spillage to water bodies is another cause of water pollution, as it leads to more harmful effects to the living creatures and human beings around. Oil spillage will definitely affect the health of aquatic organisms, as well as other living things dependent on the water body being polluted. Garbage and other toxic substances are also the other causes of water pollution. All these directly affect human health and the natural environment in the surrounding areas. It is therefore up to the government to put more efforts to reduce these problems.Advertising Looking for essay on environmental studies? Let's see if we can help you! Get your first paper with 15% OFF Learn More Possible Solutions for Water Pollution One of t he best solutions to water pollution is the enactment and implementation of rules against those industries and institutions that carelessly dump waste chemicals, garbage, and other toxic pollutants to the water bodies without considering human life and the natural habitat around. The government would need to be very strict on this matter. People should also avoid dumping litter, household waste, or garbage to water bodies. Individuals should also avoid throwing dirty and harmful substances to their water lines that drain to sewage. Individual farmers must try to use the right amount of fertilizer when applying chemicals, as excess amount of fertilizer may drain to the nearby water body. Conclusion Water pollution issues are currently increasing in the world because of neglect of the governments and ignorance of the people. Water pollution issue should not only be issue to the government, but also all the people in the society. Therefore, people should join hands together with the go vernment to reduce this world’s major problem. Nevertheless, water is a very important resource in the world, and it should therefore be kept clean and safe. This essay on Water Pollution: Causes, Effects and Possible Solutions was written and submitted by user Darien Strickland to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

25 Beautiful Examples of Book Illustration

25 Beautiful Examples of Book Illustration 25 Beautiful Examples of Book Illustration We all remember the signature illustrations of our childhood reads: the wild scribbles of Quentin Blake, the gentle watercolors of Beatrix Potter, the simple line drawings of Shel Silverstein, and so on. Indeed, many book illustrations become indelibly linked to the stories they depict. And they’re not just limited to picture books! Many works of literature (both classic and contemporary) benefit from great illustrations as well.To help you get a sense of your preferred style - or if you just want to look through a gallery of gorgeous images - we’ve put together  25 examples of book illustration over the past few years. These drawings come from children’s books, graphic novels, memoirs, and more, with incredible diversity in both the subjects and the illustrators themselves. So whether you’re hoping to find an illustrator for your book  or simply seeking a little inspiration, you’re sure to find something you love! 25 beautiful examples of book illustration from contemporary artists  Ã°Å¸Å½ ¨ 1. A Fine Dessert, Sophie BlackallThis piece by R. Gregory Christie can be found in Carole Boston Weatherford’s Freedom in Congo Square, which details the lives of slaves in nineteenth-century Louisiana. Each week they would look forward to a few hours off, which they’d spend celebrating in Congo Square. And though this work does an admirable job of not sugarcoating history, Christie’s striking illustrations effectively convey the three-dimensional lives of slaves: they were not merely exploited workers, but people who had their own culture, goals, and dreams, all of which were symbolized by their gatherings in Congo Square.What’s your favorite book illustration of all time? Let us know in the comments! Also, for stunning examples of book  cover  designs, check out this amazing gallery.

The Difference Between Hispanic and Latino

The Difference Between Hispanic and Latino Hispanic and Latino are often used interchangeably though they actually mean two different things. Hispanic refers to people who speak Spanish or are descended from Spanish-speaking populations, while Latino refers to people who are from or descended from people from Latin  America. In todays United States, these terms are often thought of as racial categories and are often used to describe race, in the way that we also use white, black, and Asian. However, the populations they describe are actually composed of various racial groups, so using them as racial categories is inaccurate. They work more accurately as descriptors of ethnicity, but even that is a stretch given the diversity of peoples they represent. That said, they are important as identities for many people and communities, and they are used by the government to study the population, by law enforcement to study crime and punishment, and by researchers of many disciplines to study social, economic, and political trends, as well as social problems.  For these reasons, its important to understand what they mean literally, how they are used by the state in formal ways, and how those ways sometimes differ from how people use them socially. What Hispanic Means and Where  It Came From In a literal sense, Hispanic refers to people who speak Spanish or who are descended from Spanish speaking lineage. This English word evolved from the Latin word  Hispanicus, which is reported to have been used to refer to people living in Hispania - the Iberian Peninsula in todays Spain -   during the Roman Empire. Since Hispanic refers to what language people speak or that their ancestors spoke, it refers to an element of culture. This means that, as an identity category, it is closest to the definition of ethnicity,  which groups people based on a shared common culture. However, people of many different ethnicities can identify as Hispanic, so its actually more broad than ethnicity. Consider that people who originate from Mexico, the Dominican Republic, and Puerto Rico will have come from very different cultural backgrounds, excepting their language and possibly their religion. Because of this, many people considered Hispanic today equate their ethnicity with their or their ancestors country of origin, or with an ethnic group within this country. Reports indicate that it came into use by the United States government during Richard Nixons presidency, which spanned 1968‒1974. It first appeared on the U.S. Census in 1980, as a question prompting the Census taker to determine whether or not the person was of Spanish/Hispanic origin.  Hispanic is most commonly used in the eastern U.S., including Florida and Texas. People of all different races identify as Hispanic, including white people. In todays Census people self-report their answers and have the option to choose whether or not they are of Hispanic descent. Because the Census Bureau recognizes that Hispanic is a term that describes ethnicity and not race, people can self-report a variety of racial categories as well as Hispanic origin when they complete the form. However, self-reports of race in the Census indicate that some identify their race as Hispanic. This is a matter of identity, but also of the structure of the question about race included in the Census. Race options include white, black, Asian, American Indian or Pacific Islander, or some other race. Some people who identify as Hispanic may also identify with one of these racial categories, but many do not, and as a result, choose to write in Hispanic as their race. Elaborating on this, Pew Research Center wrote in 2015: [Our] survey of multiracial Americans finds that, for two-thirds of Hispanics, their Hispanic background is a part of their racial background – not something separate. This suggests that Hispanics have a unique view of race that doesn’t necessarily fit within the official U.S. definitions. So while Hispanic might refer to ethnicity in the dictionary and governmental definition of the term, in practice, it often refers to race. What Latino Means and Where It Came From Unlike Hispanic, which refers to language, Latino is a term that refers to geography. It is used to signify that a person is from or descended from people from Latin America. It is, in fact, a shortened form of the Spanish phrase latinoamericano -   Latin American, in English. Like Hispanic, Latino does not technically speaking refer to race. Anybody from Central or South America and the Caribbean can be described as Latino. Within that group, like within Hispanic, there are varieties of races. Latinos can be white, black, indigenous American, mestizo, mixed, and even of Asian descent. Latinos can also be Hispanic, but not necessarily. For example, people from Brazil are Latino, but they are not Hispanic, since Portuguese, and not Spanish, is their native language. Similarly, people may be Hispanic, but not Latino, like those from Spain who do not also live in or have lineage in Latin America. It was not until the year 2000 that Latino first appeared on the U.S. Census as an option for ethnicity, combined with the response Other Spanish/Hispanic/Latino. In the most recent Census, conducted in 2010, it was included as Another Hispanic/Latino/Spanish origin. However, as with Hispanic, common usage and self-reporting on the Census indicates that many people identify their race as Latino. This is especially true in the western United States, where the term is more commonly used, in part because it offers a distinction from the identities of Mexican American and Chicano  - terms that specifically refer to descendants of people from Mexico. Pew Research Center found in 2015 that 69% of young Latino adults ages 18 to 29 say their Latino background is part of their racial background, as does a similar share of those in other age groups, including those 65 and older. Because Latino has come to be identified as a race in practice and associated with brown skin and origin in Latin America, black Latinos often identify differently. While they are likely to be read simply as black within U.S. society, due to their skin color, many identify as Afro-Caribbean or Afro-Latino  - terms which serve to distinguish them both from brown-skinned Latinos and from descendants of the North American population of black slaves. So, like with Hispanic, the standard meaning of Latino  often differs in practice. Because practice differs from policy, the U.S. Census Bureau is poised to change how it asks about race and ethnicity in the coming 2020 Census. The possible new phrasing of these questions would allow for Hispanic and Latino to be recorded as the respondents self-identified race.

Compare three companies Essay Example | Topics and Well Written Essays - 1250 words

Compare three companies - Essay Example This used to happen only with Sony and Apple products before. Samsung is not only one of the greatest businesses today, but the company tends to have a great goodwill as a responsible global entrepreneurship. The objective of this paper is to explore the tactics and strategies that were employed by Samsun to climb up and reach the top of the success ladder at such lightning speed. It is important to review the success story of Samsung before analyzing the strategies it has utilized for achieving the numero uno spot in corporate world. Samsung came into being in 1938, as a small trading company and transformed into a business group. And from its branch in Tokyo it started to expand its business first by entering in the textile business, then started establishing electronics, introduced the company in heavy industry by affiliating in shipbuilding. Samsung itself had built huge companies based on sugar and seasonings and textiles; and LG on chemicals for household and industrial consump tion (Michell, 13). It also expanded the business by acquiring Hankook Semiconductor. Later on it also introduced first 10 – million seller cell phones, became world’s best TV manufacturer. And today Samsung claims to have the largest share in the global smartphone market, which is because of the Galaxy smartphones of Samsung. In 2012 it was awarded as world’s ninth best brand (Tek, n.p). Samsung now stands among the top tier global corporations, possesses good ranking in the superior management, and provides innovation in design along with improving its sales and earnings (Lee, 9). The competition between the two famous smartphones brands Samsung and Apple started in 2008, when Samsung targeted the smartphone market by investing on large scale in it. Apple is a multinational company, which provides phones, personal computers, iPads, iPods and much more. In 2008, the most valuable company of the world was Apple because it had the shares with prices up to $ 373 ( Zylla-Woellner, n.p). Samsung and Apple without any doubt were leading the cellular especially the smartphone industry, however, Samsung suddenly shifted gear and turned the entire game in its favor. Apparently, Samsung’s most significant tactic is that the company never ceased to introduce variety in their products and in their strategies of selling the products too. Samsung Corporation has successfully blended speediness, imagination and affordability in their offerings to capture the consumers’ attention. While Samsung was busy investing huge sums on extensive research and development to gain the market share, Apple was stagnant using only 2.4 percent of its revenues on innovation (Roll 154). Samsung spent around US$ 2.3 billion on research and development (Roll, 154). The major competitors Sony and Apple were badly defeated by Samsung. The reason is that whenever these companies introduced a new product Samsung copied the concept and followed their path to introduc e similar product but with a definite edge and innovation from its predecessors. In order to learn latest designs in trend, Samsung even started comprehensive training sessions for all employees. Apple only introduced several versions of iPhone whereas in the meantime Samsung not only introduced Samsung galaxy, note book, smart TV and other economical smart phones but has been regularly updating its products’

Allocation of Resources Essay Example | Topics and Well Written Essays - 500 words

Allocation of Resources - Essay Example The work breakdown structure of the company’s server upgrade will be as follows: Having looked at the WBS for the company’s project, it is important to explain the various work packets data that will emanate from the already formulated WBS. Work packets will determine the scope of the projects in terms of the costs involved as well as the time in hours that will be employed for the success of the project. The total work packets will be embodied in the six key areas of the intended system upgrade. They will include project launch, installation and troubleshooting and finally evaluation for changes before the final roll out to the other departments. First, the project launch will include the initiation of the project, education on the need for change in the organization and mobilization of the relevant personnel for project roll out. This will take an average of 10% of the project costs and an equal amount of time relative to the allocated project duration. Secondly, the verified programs and physical hardware will be installed into the system to gradually phase out the older system. Since the purchase and installation of the newer version of windows and other networking essential into the main server will take a lot of resources in terms of finances and time, the bulk of the project’s allocation (60%) will be assigned to this packet. This stage will also involve troubleshooting any problems associated with usage or compatibility of the newly installed system. Evaluation will involve the collection and analysis of data on usage, system capabilities and efficiency for the organization. The data collected will be utilized for the purposes of analysis that will culminate to the project’s adoption and full integration in the company’s operational systems. All the issues relating to customer usage, system requirement’s satisfaction and sustainability will be corrected at this stage to ensure a steady and running system. Since this is also an important

The Life of Schubert Essay Example for Free

The Life of Schubert Essay Christopher H. Gibbs’s slim volume, â€Å"The Life of Schubert,† in Cambridge University Press’s series Musical Lives, is therefore timely and valuable. Though terse, it brings all those matters up to date in an eminently readable manner. Mr. Gibbs, took part in the later stages of the decade long Schubertiade at the 92nd Street Y. which ended in 1997. Although he relies heavily on secondary sources here, he has also done original research, and he proposes a neat little theory of his own: a secret program for Schubert’s E flat Piano Trio. That work was begun some six months after Beethoven died, and given its premiere on the first anniversary of his death on March 26, 1828 (eight months, it turned out, before Schubert’s own passing). Mr. Gibbs finds similarities in the trio, with its movement resembling a funeral march, to Beethoven: especially to the Eroica Symphony, written in the same key in memory of a great man. Although it was obvious to few others at the time that Schubert, still little known outside Vienna or in grand musical forms, was a logical candidate to take up Beethoven’s mantle, from this and other evidence it was apparent to Schubert, Mr. Gibbs plausibly suggests, as it has been to posterity. While previous commentators have called Schubert’s movement a funeral march, and a few have noticed the tonal, melodic and structural similarities to Beethoven’s symphony, Mr. Gibbs writes of his interpretation, the greater meaning has remained secret. But in so concise a tome, something has to give, and Mr. Gibbs hastens to point out that the book is not everything it might appear. This book concerns less The Life of Schubert than The Life of Schubert’s Career, a story more of the artist than the man, he writes. In certain respects this book aims to be an autobiography. Gibbs shall emphasize the distortion and trivialization of Schubert’s life that formed and informed popular images. At the same time Mr. Gibbs is no iconoclast or sensationalist. They are currently at a point where some unproven claims about the darker Schubert threaten to become a new orthodoxy in the absence of sufficient historical investigation or evidence, he writes judiciously. He spreads his skepticism evenly on new evidence and theories as well as old. Schubert remains in the shadows, he notes, even as some try figuratively to bring him out of the closet and the pub and into the psychiatrist’s consulting room. The approach is loosely chronological. But Mr. Gibbs begins by examining three artistic representations of Schubertian soirees to set the scene. And one biographical chapter is constructed around themes raised in an 1824 letter from Schubert to his friend Leopold Kupelwieser. In a word, â€Å"I feel myself the unhappy and wretched creature in the world, the diseased composer writes, imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse instead of better. † Mr. Gibb’s emphases, though sometimes repetitious, are often fascinating. He notes, for example, that for the composer, most of his output was prelude. In 1827 Schubert acknowledged, among other works, three operas, a Mass and a symphony. Mr. Gibbs elaborates: At first the comment seems curious: Schubert had written some eight operas, five Masses, seven (and a half) symphonies and so much else: yet he willingly acknowledged only fully mature pieces. The musical discussion is non-technical. Although many works are located in the unfolding of Schubert’s career, few are discussed in detail. Still, what comment there is cogent, as when Mr. Gibbs cites Schubert’s uncanny ability to make the major mode sound despairing? Can any listener fail to be relieved, for example, when, in Gute Nacht, the opening song of the cycle Winterreise, the music slumps back into D minor after the painfully illusory hope raised by the excursion into D major? Mr. Gibbs spends perhaps too much time trying to tie the mood of the composer when writing it. Yes such correspondences can sometimes emerge, the more so with such new evidence as Mr. Gibbs supplies. Still, the creative process is at bottom mysterious, and those one-to-one alignments inevitably break down sooner rather than later. It is also surprising to see so redoubtable a Schubertian refer to the composer’s great C major Symphony (No. 9, that is, in mere contradistinction to the little C major, No. 6) loosely as the Great Symphony. No matter, Mr. Gibbs, with his solid grounding and balanced view, packs a great deal into a small space and supplies a corrective still sorely needed: or, as he suggests, needed now more than ever, as seductive new theories mingle freely with comfortable old myths. The two protagonists of Richard Power’s new novel. Plowing the Dark, each spends their days in empty rooms, living through their imaginations. These two characters never meet each other; their stories never converge. The first, a woman named Adie, is an artist who is helping to construct a virtual-reality chamber in Seattle in the late 1980’s; the second is an American hostage in Lebanon, a man named Tai Martin, who passes his days in captivity trying to re-imagine his former life. Representing Schubert: A life devoted to art In February 1828, Schubert sent to Schott’s, the music publisher in Mainz, a complete list of individual works available for publication. Schubert only listed works in the most marketable types of domestic, social, and chamber music. In closing his letter, however, Schubert could not resist referring broadly to some compositions he had written for the public arena, three operas, a mass, and a symphony. Knowing these would not be of immediate interest to Schott’s, he added the disclaimer: Mr. Gibbs mention these last compositions only in order to acquaint Schott with his strivings after the highest in art. Two things are noteworthy here – Schubert’s selectiveness in the public works he offered and his invocation of distinctions between higher and lower aesthetic levels. Almost certainly, Schubert was selectively offering only the large-scale works of his early maturity, those operas, symphonies, and Masses completed since about 1820. (After 1820, Schubert repeatedly made clear that he was no longer promoting most of his early works. If Schubert’s own selectivity gives us the license to focus on the operas of his maturity, his discussion of the highest in art gives us the license to focus on the operas with the expressive range, the expanded scale of musical-demand structure, and the serious subject appropriate to a grand heroic or Romantic opera. It was his grand operas, and not his Singspiels and other early operas, which were capable of standing alongside his grand symphony, representing the highest in Schubert’s art. Young Schubert: the master in the boy In his eleventh year, Schubert passed the entrance examinations for the Convict School, which trained choristers for the Imperial Court Chapel Life at the Convict was not without hardship, the young music-students frequently suffered cold and hunger Hunger has become so pressing, Schubert wrote to his brother, Ferdinand, that willy-nilly â€Å"I must make a change. The two groschen that father gave me went in the first few days, If, then, I rely upon your aid, I hope I may do so without being ashamed. How about advancing me a couple of Kreutzer monthly. †? When Schubert became acclimated to his new surroundings at the Convict he was far from unhappy. He was completely absorbed in music-study, finding therein endless fascination and adventure. He also made some intimate friendships, particularly one with Josef Spaun, seven years his sensor, who remained his intimate friend for the remainder of his life. In the Convict school, Franz Schubert began his first compositions. Supplied with note-paper by Spaun, Schubert composed his first song, Hagar’s Klage, which came to the notice of Saheri; director of the Convict Saheri was so impressed with this achievement that he placed Schubert under the personal guidance of Ruczizka, professor of harmony. Then, when Ruczizka confided to Saheri that Schubert seems to have been taught by God himself, the lad knows every thing, Saheri decided to take the boy under his own wing. One of the first exercises which Schubert composed for Saheri was – an opera Franz’s, you can do everything, Saheri told him you are a genius. Ingenious Schubert: the Prince of Song Schubert created the genre of the Kunstlied near the beginning of the nineteenth century and Mahler re-created it in extraordinary ways less than a century later. Many of the most pressing compositional and aesthetic issues relating to subsumed song are connected to their accomplishments. For, even if it is an exaggeration to say Schuberet is the â€Å"Father of the Lied, (infact he is usually called the â€Å"Prince of Song†), his elevation of its artistic status had profound impact not only on that particular genre, but also more generally on matters relating to instrumental lyricism, compositional technique, folk-like simplicity, naturalness, expression, and hermeneutic association allied with words. Popular Schubert: the turning point 1823, that year in which Schubert composed Die schone Mullerin, D. 795, was a turning point in his life, a time fraught with crisis. The venereal disease, probably syphilis, that was to kill him five years later first become evident in late 1822 or early 1823, and its initial virulent stages wracked the composer’s health for much of the year. For all the chronological mysteries and gaps in the chronicle, people know that the genesis of the cycle is interwoven with the beginning of the end of Schubert’s life. Despite the compound of the respect accorded genius and a linguistic veil of nineteenth-century euphemisms, three of Schubert’s contemporaries, speaking in guarded terms, identify the cause of his illness as venereal disease and attribute his early death to its ravages. Joseph Kenner, writing in 1858, is possibly biased by his hatred of Franz von Schober, whom he blames for leading Schubert astray. Anyone who knew Schubert, he writes, knows how he was made of two natures, foreign to each other, how powerfully the craving for pleasure dragged his soul down to the slough of moral degradation, and how highly he valued the utterances of friends he respected episode in Schubert’s life only too probably caused his premature death and certainly hastened it. The unsympathetic Wilhelm von Chezy in 1863 wrote that Schubert had strayed into those wrong paths which generally admit of no return, at least of no healthy one and adds that ‘The charming â€Å"Mullerlieder† were composed under sufferings of a quite different kind from those immortalized in the music which he put into the mouth of the poor lovelorn miller lad. Schober himself spoke in discreet terms of Schubert’s hospitalization as the result of excessively indulgent sensual living and its consequences. These and other references to a streak of coarse sensuality in Schubert’s character have led the modern scholar Maynard Solomon to speculate convincingly that Schubert was a sexually promiscuous homosexual who chose to spend his brief adulthood within the protective environs of the gay subculture of Biedermeier Vienna. Whatever the full truth of the matter, the piper came due in 1823. Schubert would have known that the disease spelled the ruin of his health for whatever length of time remained to him and that it would lead to his death. Schubert himself first mentions illness in a formal letter to one Councilor Mosel, to whom Schubert had sent part of his opera Alfonso und Estrella. On the other hand, for Schubert was amiable and modest, devoted to his friends from the bottom of his heart, and acknowledges with affection the achievements of others, as was shown, for example, by his ever recurring delight over each little drawing done by their highly gifted Schwind. For what was evil and false, he had a veritable hatred. Bauernfeld describes Schubert’s Austrian element uncouth and sensual. If there were times, both in his social relationship and in art, when the Austrian character appeared all too violently in the vigorous and pleasure loving Schubert, there were also times when a black-winged demon of sorrow and melancholy forced its way into his vicinity not altogether an evil spirit, it is true, in the dark consecrated hours, it often brought out songs of the most agonizing beauty. But the conflict between unrestrained enjoyment of living and the restless activity of spiritual creation is always exhausting if no balance exists in the soul. Fortunately in their friend’s case an idealized love was at work, meditating, reconciling, compensating, and Countless Karoline may be looked upon as his visible, beneficent muse, as the Leonore of this musical Tasso. Whatever the truth of his last remark, Bauernfeld had no doubts of the Countless Karoline’s importance to Schubert. Poor Schubert: Miserable reality â€Å"Poor Schubert. † Ever since his death this expression appears over and over again in the writings of Schubert’s friends, critics, and biographies. One reason is that he died so young, at the age of thirty one. More prosaically, the adjective refers to the composer’s precarious financial state throughout his life, although he was far from the destitute artist later sentimentalized in novels, operettas, and movies. The tag also conveys the sense that Schubert was neglected, that his gifts went largely unrecognized. One can easily pick out a few more brush strokes in the established portrait: Schubert is viewed as a natural and native genius who wrote incomparable songs. And then there are his festive friends in the background. Even if the public at large ignored him, at least he enjoyed the loyal support of his circle. Always the best man, never the groom, Schubert is seen as unlucky in love. Early death meant that his artistic mission was left unfinished. Even with so many miserable circumstances, Schubert’s music laughs through its tears, and the maudlin conflation of his life and works in myriad biographies and fictional treatments makes readers past and present weep. Poor Schubert. Late Schubert: who shall stand beside Beethoven To Schubert belongs the dubious distinction of being the short-lived composer of his stature, a situation commented upon since the day he died. Schubert’s early death, while an indisputable reality, should not blind to its symbolic significance. In this respect, Schubert’s most popular instrumental work, the Symphony in B Minor, proves instructive on two counts. First, the premiere took place well over forty years after its composition. This late unveiling powerfully underscores how relatively unknown Schubert was and how unceasingly his reputation had to be reevaluated throughout the nineteenth century. Second, its nickname the Unfinished Symphony epitomizes the unfinished quality of Schubert’s life and art, and serves as a fitting metaphor, a recurring reminder of unfulfilled promise the theme first sounded by Grillparzer’s epitaph. It may seem odd, even inappropriate, to discuss the late period of an artist who died in his early thirties; yet Schubert condensed the artistic productivity of a lifetime into his remarkably brief career, and moreover persevered in his final years with the knowledge of a mortal illness. Professionally and compositionally, Schubert entered a new stage during the final two years of his life, the period, significantly, coinciding with Beethoven’s final sickness and death twenty months before his own. Now thirty years old, and at the peak of his creative powers, Schubert surpassed even what Beethoven had accomplished at the same age. Immortal Schubert The defunct popular composer not only becomes immortal in the poetical sense, but by a curious felicity which publishers can best explain, actually goes on composing after he is dead. All Paris has been in a state of amazement at the posthumous diligence of the songwriter F. Schubert, who, while one would think his ashes repose in peace at Vienna, is still making eternal new songs and putting drawing-rooms in commotion. In the entire realm of art it would be difficult to find many examples of the kind of creative genius possessed by Franz Schubert. Not that he was the greatest composer who ever lived; certainly the horizons of Beethoven, Bach, and Mozart were far writer. But for sheer native gifts, he is excellence only by Mozart. Music came to Schubert as naturally as breathing. He could create beauty as freely as the ordinary man talks in cliches, every melodic idea that sprang in him soared on lyric wings. And these ideas seemed inexhaustible both in their endless variety of mood and in their consciousness. As he himself once confessed, he was unable to complete one work without having several others crowd in on his consciousness. Musical ideas came to him, not merely in a spontaneous flow, but in a veritable geyser eruption which he could not hope to curb or canalize into disciplined and formal order. Schubert as composer of symphonies fond himself in the shadow of Haydn and Mozart from the past and Beethoven in the present. He was haunted not only by their symphonies but also by their other instrumental works. The result was a series of thematic references as well as concepts of musical composition overall structure, tonal plans, orchestration, and harmonic-rhythmic patterns which Schubert modified and incorporated into his own works. But the mighty Viennese triumvirate was not Schubert’s only source for his larger sonata-like structures. Like Beethoven, Schubert provides an important bridge from the classic to the romantic symphony. The early up to No. 6 are among the most romantically oriented classical symphonies in existence. In dimension, instruction, and esthetic posture, they clearly belong to the eighteenth century; in orchestration and harmonic language, they look forward to future generations. The artist is someone who can take pain and the commonplace and spin them into unforgettable insights. The hypothesis set out in this paper will, Christopher Gibbs knows, antagonize some and be found ludicrous by others. Nevertheless, as a specialist in human complexity and a wide-eyed lover of Schubert’s music, Gibbs find that to have some possible inkling of the ghosts that may have both inspired and haunted him makes the little mushroom even more special. Reference Gibbs, C. H. (2000). The Life of Schubert. Cambridge, New York: Cambridge University Press.